Happy Halloween! It’s my favorite holiday, besides my birthday and Christmas. As an October-born person, I align myself most with this season, and Halloween always feels like a special day to me.
Last night we carved pumpkins–Skyrim-themed!–and watched my favorite Halloween movie, Sleepy Hollow. While my favorite Tim Burton movie is The Nightmare Before Christmas, because I watch it every year on my birthday, Sleepy Hollow is the ultimate Halloween movie. It’s scary, romantic, magical, has beautiful music and cinematography, and is just all around a great film. When I first saw this movie, I was totally in love with Johnny Depp in this role. I guess I just really like pale dudes. And Christina Ricci’s hair and dresses are to die for (ha ha, Halloween pun!).
Alas, like most working people, I’ll be at work for most of Halloween. I do have fun spider tights to wear, though. It’s the little things, I guess. Have a safe Halloween!
Remember that post I wrote a while ago about the books I was reading and going to read? Well, I’m not really following that, since it’s hard for me to get into books I’m not in the mood for. And I guess lately my mood has been classical Russian literature. I’ve had Anna Karenina by Leo Tolstoy on my shelf for a couple of years now but never read it, and I thought reading something new was a better option than rereading my favorite Russian book Doctor Zhivago for the millionth time.
And I’m definitely loving it. I find old Russia to be really romantic, and this story is so richly written with interesting characters. I like love stories in the midst of class warfare. My favorite passage so far:
“It’s too much for me,” responded Levin. “Do try and put yourself in my place, take the point of view of a country person. We in the country try to have our hands in such condition as will be most convenient for working with. So we cut our nails; sometimes we turn up our sleeves. And here people let their nails grow as long as they will, and put on small saucers for cuffs links, so that they can do nothing with their hands.”
Stepan Arkadyevich smiled gaily.
“Oh, yes, that’s just a sign that he has no need to do course work. His work is with the mind…”
“Maybe. But it’s still strange to me, just as at this moment it seems strange to me that we country folks try to get our meals over as soon as we can so as to be ready for our work,while here we are trying to drag out our meals as long as possible, and with that object eating oysters…”
“Why, of course,” objected Stepan Arkadyevich. “But that’s just the aim of civilization–to make everything a source of enjoyment.”
“Well, if that it’s aim, I’d rather be a savage.”
There is an amazing miniseries based on Doctor Zhivago featuring Keira Knightley and Hans Matheson as Lara and Yuri, so I wanted to see if there was a good Anna Karenina miniseries made by BBC or Masterpiece Classics. And, lo and behold, there is a movie version of AK coming out this year starring Keira Knightley, Jude Law, Aaron Johnson and Kelly Macdonald, all whom I love immensely. So I’m pretty excited. And I find it pretty coincidental that I just started reading it and there’s a new movie coming out soon.
Now I’m debating what to read next. War and Peace?
I have a thing for B-rated sci-fi movies. I would say most of my favorite movies fall into this category. Anything stylistic with a cool story and some badass females usually catches my interest. Push came out in 2009 to pretty low reviews by critics, which is no surprise since critics and I rarely seem to agree on movies. But the positive user reviews on IMDB assured me that this movie was worth a shot. And of course I watched it and it’s totally awesome.
Basically, the film is about a group of people with cool powers, all who are trying to evade the Division–a controlling government agency that uses these people and tries to weaponize them. There are different powers–people can be Movers, which is essentially like having telekinesis. Others are Pushers, who can push new thoughts into peoples’ minds. There are also Bleeders who can make people bleed out, and Sniffers who can smell things to trace a person’s actions. Etc. etc. This film has been compared a lot to X-Men and Heroes but I think that’s just because those things were relevant at the time. I don’t really find it very similar other than that basic concept of superhumans. Push is set in Hong Kong which makes it feel very cyberpunk, although there aren’t a ton of cyberpunk elements besides that.
I really loved the cinematography of this movie, and I was also pleasantly surprised by how clever the story was. I was expecting a fun action film but it had a unique story. Plus, Camille Belle and Dakota Fanning are both pretty awesome.
If you like a good, cool-looking sci-fi film, I suggest checking it out!
Somehow I missed this movie when it came out in 2004, but it came up recently when I was working on the sci-fi issue of Wildflower. I’m so glad I finally watched it. It’s one of those movies where it feels like it emerged directly from my imagination. Set in the late 1930s, it’s a fantastical adventure film about a young journalist (Gwenyth Paltrow) who pairs up with a handsome captain (Jude Law) to save the world from an evil scientists. It has robots, cool laboratories, international travel, airships, eyepatches and more–basically, everything I like is in this film. It’s pretty steampunk/dieselpunk in aesthetic. It does have a few plot holes and at times is a little silly, but that didn’t stop me from enjoying it immensely.
It’s also visually stunning and incredibly stylistic! And the clothing is pretty much to die for. I especially want some aviation goggles like Jude Law.
I recently saw this excellent short film made by students from the Bezaleal Academy of Arts. It explores a world in which alternative reality is inescapable. The film is visually stunning and a pretty impressive project. I was interested while reading some of the comments in response to the film–that this kind of future is inevitable, but it’s also unwanted by many. As a techie and cyberpunk, I think AR is fascinating, so I’m kind of looking forward to having more options like this in my day to day life. But I suppose progress always comes at a price. Anyway, check out the film!
I’ve been trying to catch up on the movies I didn’t see last year, including Drive, a film directed by Nicolas Winding Refn. And holy cow, this is a fantastic movie. It reminded me a lot of the movie Brick, one of my all time favorites–it’s a bit noir, but modernized, and both films have unique protagonists who aren’t very emotional creatures, except when it comes to the women they care about. It also had some of those long, silent shots that made it more than just an action film–it was a story about consequences, too.
It’s also a beautiful looking film. The lighting is cleverly used in almost every shot, and I thought the soundtrack was a nice juxtaposition from the violence of the film.
I love these fanmade images based on the movie (click for source).
And just because Gosling’s style in the movie is so wicked, I put together a female-interpreted version inspired by the film.
I definitely need to get me some driving gloves. Are driving gloves acceptable for a VW Beetle driver?
Perhaps it’s because I’m a recovering English major and former drama geek, but I’m a total sucker for a good miniseries—probably because I’ve had to watch more Masterpiece Theatre and BBC adaptations than I can count. But it’s become one of my favorite art forms, and when done right, a miniseries can be an excellent way to tell a story. It’s longer than a film, which gives a story time to develop, but it’s shorter than an actual TV show, which means that it concludes faster. Instant gratification! I hate having to wait to see how a story ends. Seriously. I used to be the kind of reader who would read the very last page of a book as soon as I got it. Madness, I tell you. I don’t do that anymore, but I still have very little patience for drawn out stories. Anyway, here are a few of my favorite miniseries that I think you should check out.
Hatfields & McCoys
I’d been looking forward to seeing this after I kept seeing previews for it in the movie theatre (you know those “First look” segments—like, the pre-previews?). It was just released. There have been many other adaptations of this very famous historical feud, but I feel like this one is probably the best. This particular one was produced by and aired on The History Channel, and I really hope they make more productions like this one. It has a great cast–Bill Paxton, Kevin Costner, Jena Malone, among others. It’s full of romance, action, and revenge. It’s such a Shakespearean story, except it all actually happened, which makes it even better. Highly recommended if you like your history with a twist of drama.
Doctor Zhivago
Doctor Zhivago was one of my favorite books as a teenager, and when I found an adaptation with Keira Knightley as Lara, it was pretty much love at first sight. I’ve seen the old adaptations of Dr. Z from the days of old, but this newer version really captures the pain and the grit of the book. This is a classic story about politics, affairs, sex, rebellion and more. Definitely my kind of story! And can I just say that I have never loved anyone in a film as much as I love Hans Matheson as Yuri Zhivago? Sigh. He’s dreamy. Wartorn Russia is just so romantic!
Alice
This one is different than the others on this list because it’s set in a modern era, and it’s definitely quirky. Adaptations of Alice in Wonderland will never get old for me. I was intrigued by this modern version that aired on the SyFy channel a couple years ago. It’s very different than all other Alice retellings I’ve seen, and I really enjoy it. This is a very stylistic version—if you can’t tell by the screen shots—and it features Alice as a judo sensei, of all things. If that doesn’t pique your interest, I don’t know what will. There’s also a lot more sci-fi in it than any other Alice I’ve seen. I enjoyed the cast, particularly Andrew Lee Potts as Hatter, who becomes a love interest forAlice. Basically, it’s your normal Alice story, but with assassins and a bit of romance. If I were tasked with writing a retelling ofAlice, this is probably what it would have looked like.
Tess of the D’Urbervilles
I’ll be the first to admit that this was not my favorite book when I was taking British literature, but after seeing several film adaptations, I’m in love with the story. I first watched the 1998 version, and I liked it a lot, although I never liked the main actress who played Tess. Then, I randomly stumbled upon this 2008 version with Gemma Arterton—whom I adore—and that was that. This is one of the saddest stories ever, I think, and Tess is such a complex character that she deserves to be portrayed by someone sweet, sincere and heartfelt like Arterton. The musical score just adds to the ache. It also features my lover, Hans Matheson (yes, Yuri Zhivago), although he plays the villain in this movie.
There are a few other miniseries I want to check out–like Birdsong and Great Expectations, to name a few–but these ones here are always on my rewatch list. What are some of your recommendations?
So I finally watched The Book of Eli–took me long enough! And wow, this is probably my new favorite movie, and definitely my favorite post-apocalyptic movie. This film got mixed reviews, largely due to its religious overtones–it is, after all, about *SPOILER* a guy trying to bring a Bible out west during the aftermath of an apocalypse. However, I didn’t see the film as overly religious. As a writer and a researcher of literacy–and an atheist–it’s hard to deny the impact the Bible has had on human history. I liked how one of the last shots of the film was of the newly-printed Bible being placed on a shelf along with other religious texts. That showed me that this film was less about the Bible itself, and more about the preservation of history, and the start of a new era–which is what the best post-apocalyptic stories are about, I think.
Anyway, enough of that. The story of the film is great, but the cinematography is really what makes this movie awesome. Each shot could easily be in a graphic novel or video game. I like how it captured the grittiness of a wasteland, but still made it seem beautiful. And the costumes are epic. Can’t we all just dress like this already?
If you would have told my eleven year old, fairy tale-obsessed self that this weekend, I would see a fairy tale adaptation featuring Snow White leading a rebellion, I would have been skeptical. Luckily, my 23 year old self is not too old to still be ridiculously excited about things like this–if anything, this kind of geekiness gets better as you get older, I think.
It’s hard for me to be objective about this movie, but reviews are essentially well-argued opinions, and while it’s safe to say that I loved it, it wasn’t without flaw.
SPOILERS BELOW
This adaptation is different than the original Snow White, as well as other adaptations, and it ranks as one of my favorite interpretations. In this version, Snow White’s mother dies, and her father remarries after falling in love with Revenna within a matter of days. Of course, Revenna then kills Snow’s father and takes over the kingdom, imprisoning Snow and turning the kingdom into a wasteland.
Cut to several years later, and Snow is finally able to make an escape, but Revenna sends a troop out after her so she can consume Snow’s heart and stay young forever. The troop includes Thor–er, the Huntsman–played by Chris Hemsworth.
The story escalates into a final battle that inevitably leads to (SPOILER) the Queen’s downfall. But what I love about fairy tale adaptations is not their plots, but how artists choose to retell such classic stories.
Overall, I found this to be a gripping film, full of great detail and beautiful cinematography. It held true to the archetypal images from the old tales, but I appreciate that it made Snow into a character with some depth, who, over the course of the film, grows from an innocent girl into a person willing to fight and kill in the name of justice.
My favorite part of the movie–and this is not a popular opinion whatsoever–was Kristen Stewart. Yeah, yeah, she gets a bad reputation for being in the Twilight movies, but honestly, the fault of those films should be placed mostly on the director, because many of those actors have played great roles in other projects perfectly well (Anna Kendrick, Peter Facinelli, etc.). I was a bit doubtful when she was cast as Snow, but after seeing the film, I think she was a great pick. I thought she portrayed Snow with a great balance of innocence, compassion, and strength. Perhaps it’s because I’m close to the same age as Stewart, but I felt a kinship with her character, which doesn’t happen very often for me. Her speech before the battle was heartfelt and inspiring, and I thought it was great to see a female leading a group of men into battle. I’m such a sucker for the woman warrior archetype.
My least favorite part was Charlize Theron (which is funny because I just watched Aeon Flux last night). I thought her acting was comical, and it felt out of place with the ruggedness of the other scenes. The CGI of her character was very impressive, but I couldn’t get past her yelling and too-serious facial expressions. There was nothing believably human about her character, and I never once felt sympathetic for her, and I think at times the film wanted the viewer to feel a little sorry for her… but I didn’t feel anything for her. I just wanted to see her defeated.
I also thought the addition of Snow’s childhood friend was unnecessary. He didn’t play that large of a role, and I was much more curious about the Huntsman, who was a really interesting character that didn’t get enough screen time.
The film is very dark–which I loved, since the story is pretty messed up, and I thought it should be taken seriously–but it’s not without its sweet moments. The dwarves were amazing and served as a bit of comic relief. There are also some great creatures that pop up, such as the troll (who turns out not to be such a meanie), the adorable fairies (can someone make a movie just about them), and the beautiful white stag with incredible antlers, that explodes into dozens of butterflies. These are the moments where it really felt like a fairy tale, and not just a war film.
What really sealed the deal as a great film, though, was the ending. The rebels win the battle, of course, and instead of having some cheesy scene where Stewart chooses between childhood friend and the Huntsman, the film just shows her being crowned queen, and her people bowing down to her. She does share a nice look with the Huntsman, but ultimately, the film focuses on her, rather than on some silly love triangle. So for that, I am very grateful to the filmmakers for not making romance the focus of the film.
Films like this are what you make it, I think. They can either be fluff stories, or they can be parables that address important societal issues in unique and creative ways–which is what fairy tales were intended to do in the first place (aside from scaring little girls into wearing chastity belts, but that’s an analysis for another time. I did a lot of fairy tale analysis as an undergrad…)
This really is the year for the woman warrior in cinema. About damn time–great female heroines have been in literature for decades, but are just now dominating the big screen. The Hunger Games, Snow White, and Pixar’s Brave all portray young women taking control of their lives, using kindness, but unafraid to use strength when necessary.
So, to sum up: A beautiful, important film, with a few dents in its shiny armor.
Also check out the song Florence + The Machine wrote for the film, called “Breath of Life” (the video has some great caps from the film):
I am a huge Portal/Portal 2 fan–it’s the basis of my Master’s thesis–so I get really excited when talented filmmakers bring the story to life through their adaptations. Yesterday, a new short indie film called Aperture: Lab Ratt was released by film studio SyntheticPh, and is based on the web comic released around the time Portal 2 came out last year. (It’s also in VALVe’s graphic novel anthology, which I highly recommend checking out, because it’s awesome.) Their film is pretty amazing. Check it out. This next one has been out for a year, but I just discovered it. It was made by Eisen Feuer, and is intended to take place after the first Portal game. I love that this has hints of humor, but the viewer is also reminded that Chell is, essentially, alone–or so she thinks. This one really captures the feel of the first game, and I thought the cake baking was really sweet. This one was directed by Dan Trachtenberg, who is the cohost of one of my favorite podcasts, The Totally Rad Show. It’s not very clear if the main character is intended to be Chell, the protagonist of Portal, but I think it’s safe to assume as much. Trachtenberg takes a much grittier approach to his adaptation, and also breaks away from the storyline quite a bit. I think the music and attention to detail shows what a great director he is. It’s a great time to be a nerd. It’s easier than ever to make great films on a low budget, and then share creations with fans from around the world. What I love about these three particular films is how differently each director approached the Portal universe. Each film maintained an undeniable sense of darkness, of fear, but they also each have a sliver of hope, showing that Chell is resilient, strong and not easily defeated. Which is like my favorite line from the Portal 2 comic: “Test subject is abnormally stubborn. She never gives up. Ever.”